Square Dance

2016 / hand-painted wallpaper

starch glue and acrylic on non-woven tissue

 

Square
Dance

2015

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Installation view In The Name Of Talent / 2018 / Between Bridges, Berlin (Photo: Between Bridges)

photo: Between Bridges, 2018

Casting Show Of Wasted Talent

 

September 7, 2018 / Between Bridges, Berlin

Philip Wiegard performing Claire de Lune by Claude Debussy. (Photo: Denise Palma Ferrante)

Philip Wiegard performing Claire de Lune by Claude Debussy. (Photo: Denise Palma Ferrante)

Visitors performing various pieces spontaneously. 

The Visit, 2018 / polyurethane foam, paint / 70 x 50 x 25 cm (photo: Origins Studio)

The Visit, 2018 / installation view La Grand Monnayage / 2018 / Biennale Internationale d’art contemporain de Melle, Melle (photo: Origins Studio)

The Visit, 2018 / installation view La Grand Monnayage / 2018 / Biennale Internationale d’art contemporain de Melle, Melle (photo: Origins Studio)

The Visit, 2018 / polyurethane foam, paint / 100 x 50 x 15 cm / 120 x 60 x 35 cm (photo: Origins Studio)

The Visit, 2018 / Polyactide (PLA) 3D-print, viscoelastic liquid silicone / dimensions variable (photo: Origins Studio)

The Visit, 2018 / installation view La Grand Monnayage / 2018 /
Biennale Internationale d’art contemporain de Melle, Melle (photo: Origins Studio)

photo: Origins Studio

Production meeting for The Visit / Melle, 2018

 

 

In The Name Of Talent

 

June 22 – September 15, 2018 / Between Bridges, Berlin

 

Press release EN

Press release DE

Festoons, 2014 / hand-painted wallpaper / starch glue and acrylic on non-woven tissue (Photo: Between Bridges, 2018)

Photo: Between Bridges, 2018
Photo: Between Bridges, 2018

Square Dance, 2016 / hand-painted wallpaper / starch glue and acrylic on non-woven tissue (Photo: Between Bridges, 2018)

Square Dance, 2016 / Installation view Between Bridges, Berlin (Photo: Between Bridges, 2018)

Festoons, 2014 / Installation view Between Bridges, Berlin (Photo: Between Bridges, 2018)

Herrnhuter Kleisterpapier / approx. 1770 / Staatliche Museen zu Berlin – Kunstbibliothek

Texte zur Kunst / issue # 111read more

Artist Screening #1, 2017 / glue paint on non-woven tissue / 260 x 720 cm / Installation view Beehave / 2018 / Fundació Joan Miró, Barcelona (Photo: Fundació Joan Miró)

Artist Screening #2, 2017 / glue paint on non-woven tissue / 380 x 780 cm / Installation view Beehave / 2018 / Fundació Joan Miró, Barcelona (Photo: Fundació Joan Miró)

Artist Screening #2 / Installation view Beehave / 2018 / Kunsthaus Baselland, Basel

Artist Screening #2 / Installation view Beehave / 2018 / Kunsthaus Baselland, Basel

Production workshop at Fundació Joan Miró, Barcelona / December 2017

Production workshop at Fundació Joan Miró, Barcelona / December 2017

Turtlesnake, 2011 / tanned and folded snakeskin / 80 x 8 x 6 cm

Installation view Nine To Five / 2016

Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Installation view Turtle Salon / 2011 / Galerie Arnaud Lefebvre, Paris

Photo: Paul Knight, 2013

View From Within

2013 / hand-painted wallpaper / starch glue and acrylic on non-woven tissue

 

View

From

Within

2013

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

Installation view Case Study / 2017 / Galerie Balice Hertling, Paris (Photo: Balice Hertling, 2017)

Installation view Case Study / 2017 / Galerie Balice Hertling, Paris (Photo: Balice Hertling, 2017)

Installation view Case Study / 2017 / Galerie Balice Hertling, Paris (Photo: Balice Hertling, 2017)

Installation view View From Within / 2013 / Season Projects, London (Photo: Paul Knight, 2013)

Installation view View From Within / 2013 / Season Projects, London (Photo: Paul Knight, 2013)

Installation view View From Within / 2013 / Season Projects, London (Photo: Paul Knight, 2013)

Production workshop, 2013

Kid’s Factory / 2015 / Performative workshop / Galerie M, Berlin

Captain Hook

2015 / hand-painted wallpaper

starch glue and acrylic on non-woven tissue

 

Captain
Hook

2015

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

Installation view Case Study / 2017 / Galerie Balice Hertling, Paris (Photo: Balice Hertling, 2017)

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni, 2015)

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni, 2015)

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni, 2015)

Photo: Vivienne Westwood Ltd

Andreas Kronthaler For Vivienne Westwood
AW17/18 Campaign

 

 

Our inspiration behind the sets was a marvelous girl that is fishing the muddy waters of the river Danube. Besides catching many treasures, she finally manages to pull herself out from the ditch and joins her family members for a picnic on the Mexican border. Together they enjoy countless roasted delicacies that fall from the brick wall onto their royal porcelain plates. Luckily the Buddha with the fishy smile and the colonial nurse from Thailand are watching the party doesn’t get out of hand. (Bernhard Willhelm & Philip Wiegard)

Photographer Juergen Teller
Creative Direction Vivienne Westwood, Andreas Kronthaler & Juergen Teller
Stylist Sabina Schreder
Hair Sam McKnight @ Premier Hair and Makeup
Make-Up Val Garland @ Streeters London
Nails Marian Newman for CND @ Streeters London
Art Direction Bernhard Willhelm & Philip Wiegard
Set Design Louis Gibson

Andreas Kronthaler For Vivienne Westwood
AW17/18 Campaign
Photographer Juergen Teller
Creative Direction Vivienne Westwood, Andreas Kronthaler & Juergen Teller
Stylist Sabina Schreder
Hair Sam McKnight @ Premier Hair and Makeup
Make-Up Val Garland @ Streeters London
Nails Marian Newman for CND @ Streeters London
Art Direction Bernhard Willhelm & Philip Wiegard
Set Design Louis Gibson

Photo: DSM / Brent Kerr
Photo: DSM / Brent Kerr

Set Design for Bernhard Willhelm SS18 / 2018 / Dover Street Market, New York (Photo: DSM / Brent Kerr)

Photo: Frida Gregersen

Zucht

2015

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

 

Zucht

2015

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

 

Installation view Show Me The Money! / 2017 / Museet for Samtidskunst, Roskilde (Photo: Frida Gregersen)

Installation view Museet for Samtidskunst, Roskilde / 2017 

Installation view Museet for Samtidskunst, Roskilde / 2017 

Photo: Mendes Wood DM
Photo: Mendes Wood DM

Francis

2015 / hand-painted wallpaper

starch glue and acrylic on non-woven tissue

 

Francis

2015

hand-painted wallpaper

starch glue and acrylic

on non-woven tissue

 

Installation view Prediction / 2016 / Mendes Wood DM, São Paulo (Photo: Mendes Wood DM)

Installation view Prediction / 2016 / Mendes Wood DM, São Paulo (Photo: Mendes Wood DM)

Photo: Mendes Wood DM
Photo: Tobias Yves Zintel
Photo: Tobias Yves Zintel

Exit Ayahuasca

 

October 08, 2016 (premiere) / Ballhaus Ost, Berlin

 

with Steev Lermercier, Rasmus Slätis, Tamara Saphir, Johannes Suhm
Director
Tobias Yves Zintel / Text Przemek Zybowski

Dramaturgy Andreas Wolfsteiner
Stage Design Philip Wiegard / Costume Design Jutta Klingel

October 08, 2016 (premiere) / Ballhaus Ost, Berlin

 

with Steev Lermercier, Rasmus Slätis, Tamara Saphir, Johannes Suhm
Director
Tobias Yves Zintel
Text Przemek Zybowski

Dramaturgy Andreas Wolfsteiner
Stage Design Philip Wiegard
Costume Design Jutta Klingel

Stage design for Exit Ayahuasca / 2016 / Ballhaus Ost, Berlin (Photo: Tobias Yves Zintel)

Photo: Tobias Yves Zintel

Stage design for Exit Ayahuasca / 2016 / Ballhaus Ost, Berlin (Photo: Tobias Yves Zintel)

Piggy Bank, 2009 / macedonian bag pipe (kaba gaida), paint / approx. 90cm x 90cm x 30cm

Installation view Tomber / 2018 / Very Project Space, Berlin (Photo: Very, 2018)

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Staatliche Museen zu Berlin - Kunstbibliothek

Überfließband

2015 / handpainted wallpaper / starch glue and acrylic on non-woven tissue

 

Über-

fließ-

band

2015

handpainted wallpaper

starch glue and acrylic

on non-woven tissue

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg (Photo: Annette Kradisch)

Photo: Annette Kradisch

Installation view Nine To Five / 2016 / Kunstverein Nürnberg, Nürnberg 

9 to 5, 2011 / glue paint on paper / 270 x 500 cm (Photo: Annette Kradisch)

Herrnhuter Kleisterpapier / approx. 1760 / Staatliche Museen zu Berlin – Kunstbibliothek

I Am Peter Pan

2015 / handpainted wallpaper / starch glue and acrylic on non-woven tissue

 

I Am

Peter Pan

2015

handpainted wallpaper

starch glue and acrylic

on non-woven tissue

 

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni)

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni)

Installation view Kids’ Factory / 2015 / Galerie M, Berlin (Photo: Aya Schamoni)

Ghost Of Chance, 2016 / cardboard, glas eye, horn, paint / approx. 250cm x 260cm x 120cm / Installation view Alte Brennerei, Zernikow, 2017 (Photo: Robert Schalinski)

Ghost Of Chance, 2016 / Installation view Alte Brennerei, Zernikow, 2017 

Ghost Of Chance, 2016 / Installation view Alte Brennerei, Zernikow, 2017 

Set Design for Meadham Kirchhoff AW12/13, 2011 / Collaboration with Ulrich Merz / Old Billingsgate Market, London

Set Design for Meadham Kirchhoff SS12, 2011 /  Waterloo Station, London

Set Design for Meadham Kirchhoff SS11, 2010 /  Waterloo Station, London

Set Design for Meadham Kirchhoff SS10, 2009 / P3 University Of Westminster, London

Bagni Misteriosi, 2008 / museum furniture, fibre cement (Eternit), plaster, acrylic paint / approx. 120 x 650 x 400 cm / Installation view Mind The Gap, 2008 / Kunsthaus Glarus, Glarus

Mobili Nella Stanza, 2008 / furniture, wood, fabric, cardboard / approx. 220 x 240 x 120 cm / Installation view Mind The Gap, 2008 / Kunsthaus Glarus, Glarus

Mobili Nella Stanza, 2008 / furniture, wood, fabric, cardboard / approx. 220 x 240 x 120 cm / Installation view Mind The Gap, 2008 / Kunsthaus Glarus, Glarus

Cheval Devant La Mer, 2008 / chair, wood, fabric, glue paint / 130 x 110 x 40 cm

Cheval Devant La Mer 2, 2008 / chair, wood, fabric, hemp fiber, glue paint / 130 x 110 x 40 cm

Séance, 2007 / furniture, table cloth, curtain, wood, cardboard / approx. 190 x 165 x 78 cm

Fauteuil No.1, 2007 / armchair, curtain, wood, cardboard / approx. 95 x 45 x 115 cm

Fauteuil No.2, 2007 / armchair, curtain, wood, cardboard / approx. 130 x 100 x 45 cm

Golden Chair 1, 2007 / chair, towel, glue paint / approx. 70 x 35 x 100 cm

Golden Chair 2, 2007 / chair, towel, glue paint / approx. 100 x 35 x 100 cm

Installation view, Laura Mars Grp. / Berlin, 2007

Installation view, Laura Mars Grp. / Berlin, 2007

Bar, 2005 / bar stools, chair, wood / approx. 200 x 105 x 60 cm

Kindergarten, 2003 / Schiars, wood / approx. 300 x 50 x 120 cm

Texte zur Kunst / issue # 111 / read more

Texte zur Kunst / issue # 111 /
read more

Philip Wiegard lives and works in Berlin

 

more info

 

studio@philipwiegard.com

studio@

philipwiegard.com